drawings
Find below the portfolio projects related to drawings:
Calligraphy on onion skin paper by Nankoku Hidai
Onion skin paper is so called because of its resemblance to the skin of an onion. It its lightweight thin and transparent. It is a good quality paper, used for the reproduciton, such as in this case, an calligraphy by Nankoku Hidai. It had folds, oxidation, discolouration, cockling, a pressure sensitive tape at the right bottom corner, stains, tears and tattered edges. Paper hinges have been added to mou it on a conservation board for framing purposes.
Mrs. Daydí Pastel portrait by Fèlix Mestres
Conservation of pastel drawing on paper and cardboard by Spanish painter Felix Mestres. Portrait of Mrs. Carolina Daydí. Dry cleaning, mould removal with HEPA vacuuming, in-painting of foxing stains.
Pencil drawing by J.A.D. Ingres
Conservation of pencil drawing by J.A.D. Ingres. Pencil drawing on woven paper with discolouration and foxing stains, tears, insect depositions. Dry cleaning, mechanical removal of depositions, wet cleaning, chemical treatment and reinforcement.
Conservation of plan on natural tracing paper
Proudly showcasing the conservation treatment of such a stubborn tracing paper: folds and wrinkles appear white due to loss of translucency. Before and after photos are taken with a black background, so that you can judge the results on the whitish parts.
Conservation of varnished map
Conservation of an oversized map, varnished and with a linen backing, dated 1906. Varnish removal with gels, backing removal, capillary washing, tear mending, infilling, lining, flattening, retouch, varnishing and finishing (tapes and slats on edges).
Conservation of cartoon drawing by Quino
Conservation and flattening of a cartoon drawing by Quino using the same paper for the infill of the loss.
Conservation of oversized Adami drawings from Musée Jean Cocteau
Conservation of oversized casein drawings by Valerio Adami with stains caused by a flood. Slanted capillary washing, flattening, mending and conservation mounting.
Conservation of gouache and watercolour drawing on paper
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching, inpainting of light areas and flattening.
Conservation of cartoon drawing of a packed tram
Conservation of a china ink, pencil, watercolour and gouache drawing with severe discolouration due to light exposure. Dry cleaning, wash cleaning, deacidification, light bleaching and flattening.
Video about the profession of book and paper conservator
What does a paper conservator do? Whom does she work for? What skills and knowledge does she ought to have? Preservation and conservation, a field linked to science, history and arts and crafts. The video shows -among other- how we produce a hand-made suction table to restore paper artifacts, with loads of creativity, a feature most necessary to become book and paper conservator.
Lecture: ‘Impregnated Tracing Paper Conservation’ (ICON Book & Paper)
Three study cases of conservation of impregnated tracing paper, with diverse approach
Lecture: “Conservation of Impregnated Tracing Paper” (Papers at the balcony, Granada)
Three study cases of conservation treatment of impregnated tracing paper with three diverse approaches.
Impregnated tracing paper with tapes and ball-point pen inscription
Conservation of pencil architectural drawing on impregnated tracing paper, with a ball-point pen inscription, pressure-sensitive tapes and stuck onto a board. Drawing by catalan architect Lluís Domènech i Montaner.
Conservation of preliminary drawing for a tapestry: an oversized gouache on paper
Conservation of preliminary drawing for a carpet, an oversized gouache on paper. Dry cleaning, backing with japanese tissue (washi). Flattening, loss compensation (in-painting).
Conservation of a gouache and pastel drawing on impregnated tracing paper
Conservation of a gouache and pastel drawing on impregnated tracing paper. Preliminary technical drawing, a design for a tapestry.
Conservation of architectural drawings on tracing paper, by Fernando Higueras
Owner: Association of Architects of [...]
Conservation of gouache on paper, painting by Joan Ponç
"Gran Pastoral", gouache on paper, 83 x 112 cm. The artwork was lined on a Kraft paper with tapes and synthetic adhesives. It had losses and tears, and remarkable discolouration. The paper was extremely brittle. Tape and synthetic adhesives removal. Capillary wash and light bleaching, infilling of losses, lining, inpainting (mimetic criteria in the small ones, neutral color in the bigger ones).
Lecture: “Replacement of oils on impregnated paper architectural drawings” (Amsterdam)
Date: 7th october 2014. Place: Nationaal [...]
Conservation of sketches on pencil and watercolour
Conservation of drawings on pencil and watercolour of the romanesque monastery of Sant Pere de Roda (Girona, Spain). Author: Architect Lluís Domènech i Montaner, 1905.
Deacidification vs bleaching. Watercolour conservation
Owner: Private collection. Artwork: Watercolour drawing [...]
